Quauhxouilin

Variations: Quauhxovili

Quauhxouilin

The Quauhxouilin, “eagle-fish” (from quauhtli, “eagle”, and xouilin, a type of fish) is an edible Mexican fish. Its head resembles that of an eagle, with a curved, golden-yellow snout. Its body is long and large and smooth like an eagle. This fish has neither scales nor bones; its meat is soft throughout and makes good eating.

References

Sahagun, B. (1830) Historia General de las Cosas de Nueva España, v. III. Alejandro Valdés, Calle de Santo Domingo, Esquina de Tacuba, Mexico.

Sahagun, B.; Jourdanet, D. and Siméon, R. trans. (1880) Histoire Générale des Choses de la Nouvelle-Espagne. G. Masson, Paris.

Bès Dangon

Variations: Hantu Punggong (Malay), Buttock Spirit

Bes Dangon

The Bès Dangon, “buttock spirit”, is a bès or spirit from the folklore of the Jah Hut people of Malaysia. It lives on the top of coconut trees, and the heat of its urine and stool eventually kills the trees. Anyone who tries to climb an inhabited tree is kicked back down.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Nkala

Variations: Crab-monster

Nkala

The Nkala is one of several sorcerous familiars associated with witchcraft in Zambia. A nkala kills people by eating their shadows. Anyone in possession of a nkala, therefore, has obtained it for criminal purposes.

It takes the form of a crab, 4 feet long, almost as wide as it is long. It has a head at either end, each head resembling that of a hippo, complete with the lumps by the eyes. Sometimes those are described as “nose-like projections”. It eats shadows with both heads at the same time.

To kill a nkala, medicine is prepared from nkala remains and placed in a duiker horn sealed with wax. A second duiker horn is partially filled and used as a whistle to attract the nkala. Once the creature shows itself in response to the whistle, it is shot. The “noses”, large claws, and some of the other claws are taken for use in medicine.

References

Melland, F. H. (1923) In Witch-bound Africa. J. B. Lippincott Company, Philadelphia.

Turner, V. (1975) Revelation and Divination in Ndembu Ritual. Cornell University Press, Ithaca.

White, C. M. N. (1948) Witchcraft, Divination and Magic among the Balovale Tribes. Africa: Journal of the International African Institute, 18(2), pp. 81-104.

Wulver

Wulver

The Wulver lives alone in a cave halfway up a steep knowe on the Isle of Unst in Shetland. He stands upright like a man, but has a wolf’s head and a body covered in short brown hair.

A peaceful loner, the Wulver never harms people as long as he isn’t harmed. He likes to fish, and for hours will sit upon a rock, the “Wulver’s Stane”, and catch yearling coalfish. Frequently he will leave a gift of a few fish on the windowsill of the poor and old of Shetland.

References

Angus, J. S. (1914) A Glossary of the Shetland Dialect. Alexander Gardner, Paisley.

Fleming, M. (2002) Not of this World: Creatures of the Supernatural in Scotland. Mercat Press, Edinburgh.

Saxby, J. M. E. (1932) Shetland Traditional Lore. Grant and Murray Limited, Edinburgh.

Heluo Zhi Yu

Variations: Heluo-fish, Never-Old Bird

Heluo

The Heluo Zhi Yu or Heluo-fish can be found in China’s Tower River. These unusual fishes have one head and ten bodies each, and bark like dogs. Eating them cures tumors.

According to Yang Shen’s encomium, a heluo-fish can transform itself into a Never-Old Bird, which steals rice grains from threshing pestles, falls into the mortar, and dies.

The single head and multiple tails may be a description of an octopus.

References

Mathieu, R. (1983) Étude sur la mythologie et l’ethnologie de la Chine ancienne. Collège de France, Paris.

Strassberg, R. E. (2002) A Chinese Bestiary: Strange Creatures from the Guideways Through Mountains and Seas. University of California Press.

Bregdi

Bregdi

A malicious sea monster from Shetland waters, the Bregdi is feared for its habit of chasing boats. Once it has caught up with a boat, it wraps its long fins around it, putting them up over the gunwales, and dives with the boat in its deadly embrace.

Fortunately a bregdi’s attentions can be deterred in two ways. Like many other supernatural creatures, the bregdi hates the touch of cold steel. A simple skuni (knife) is more than enough to combat it. Slashing the fins as soon as they appear over the gunwales will make it let go and flee. It is also terrified of amber beads, and a single amber bead thrown at a bregdi is enough to scare it off.

References

Angus, J. S. (1914) A Glossary of the Shetland Dialect. Alexander Gardner, Paisley.

Fleming, M. (2002) Not of this World: Creatures of the Supernatural in Scotland. Mercat Press, Edinburgh.

Myrmecoleon

Variations: Myrmecoleo, Myrmekoleon, Mermecoleon, Mermecolion, Mirmicaleon, Mirmicoleon, Murmecoleon, Formicaleon, Ant-Lion, Antlion

Myrmecoleon

The Myrmecoleon, or Ant-lion, is a tale of two creatures and many translation errors. Druce distinguishes between the Eastern myrmecoleon, a hybrid of lion and ant, and the Western myrmecoleon, a carnivorous insect. These are one and the same, but the vagaries of translation led them down separate paths.

The Eastern myrmecoleon is found primarily in Greek, Arabian, Armenian, Ethiopian, and Syrian bestiaries. Its pedigree can be traced back to the giant gold-digging ants originally described by Herodotus. Further additions were added to the account as it evolved away from its origin. Nearchus claimed that the skins of the ants were as large as those of leopards. Pliny said that the horns of an Indian ant at the Erythraean temple of Hercules were remarkably large. Agatharchides, Aelian, and Strabo tell of Arabian and Babylonian lions called “ants” (myrmex) that have gleaming golden fur and reversed genitals (probably hyraxes, which have a distinctive dorsal gland).

The translators of the Septuagint were faced with the unfamiliar term lajisch or layish in Eliphaz’s phrase “the old lion perishes for lack of food” (Job 4:11). In the Vulgate it was rendered as tigris, and modern translations use “old lion”, but the Septuagint, drawing on obscure Classical species of lion, arbitrarily used the term myrmekoleon. Its name presupposes a hybrid of ant and lion; as the Bible is inerrant, this led led to the necessary existence of a creature whose father was a lion and whose mother was an ant. The fruit of this improbable union is a lion in front and an ant behind, and dies of starvation since the ant half cannot digest what the lion half eats, while the lion half cannot eat the plants the ant half requires. Thus “the myrmecoleon perishes for lack of food” became a logical statement, and was expounded upon in the Physiologus.

Myrmecoleon antlionThe Western myrmecoleon originally appeared in Latin sources and subsequently found its way into European bestiaries. This ant-lion is both ant and lion – an insect that preys on ants as lions prey on other animals, an ant to us, a lion to ants. It is an ant with a white head and a black body marked with white spots. It appears in bestiaries as something like a large ant or spider. This is a real animal – the antlion is a larva with huge jaws that constructs funnel-shaped traps in sand to catch ants. It eventually metamorphoses into a lacy-winged fly, but both larva and adult are completely harmless to humans.

As a denizen of bestiaries the ant-lion has its own religious connotations. The Eastern myrmecoleon is two-faced, double-minded, unstable, and deceitful. The Western myrmecoleon represents Satan lying in wait for sinners.

References

Beavis, I. C. (1988) Insects and other Invertebrates in Classical Antiquity. Alden Press, Osney Mead, Oxford.

Borges, J. L.; trans. di Giovanni, N. T. (1969) The Book of Imaginary Beings. Clarke, Irwin, & Co., Toronto.

Borges, J. L.; trans. Hurley, A. (2005) The Book of Imaginary Beings. Viking.

Druce, G. C. (1923) An account of the Μυρμηκολέων or Ant-lion. The Antiquaries Journal, 3(4), pp. 347-364.

Flaubert, G. (1885) La Tentation de Saint Antoine. Quantin, Paris.

Isidore of Seville, trans. Barney, S. A.; Lewis, W. J.; Beach, J. A.; and Berghof, O. (2006) The Etymologies of Isidore of Seville. Cambridge University Press, Cambridge.

Kitchell, K. F. (2014) Animals in the Ancient World from A to Z. Routledge, Milton Park, Abingdon, Oxon.

Newbold, D. (1924) The Ethiopian Ant-lion. Sudan Notes and Record, 7(1), pp. 133-135.

Robin, P. A. (1936) Animal Lore in English Literature. John Murray, London.

Aspidochelone

Variations: Aspido-chelone, Aspidochelon, Aspidocalon, Aspidoceleon, Aspidodeleon, Aspidodelone, Aspischelone, Aspido-tortoise, Asp-tortoise, Asp-turtle, Fastitocalon, Shield-tortoise, Sea-monster, Sea-tortoise, Sea-turtle, Sulhafat, Turtle

Aspidochelone

The motif of the island-turtle or island-whale is one of the most common and pervasive of maritime yarns. Whether it is a turtle, a whale, a fish, or a crab, the story is the same. A great sea creature raises its back out of the water. Sea-sand and vegetation gather in on its rough back, until it looks like a small island. Sailors anchor their ship to the deceptive “island”, disembark, and light a fire. The monster, feeling the fire on its back, immediately dives, taking the sailors and their ship down to a watery grave.

Prototypes of the gigantic fish are in the Indian Zend-Avesta, the supposed 3rd-Century letter of Aristotle to Alexander, and the Babylonian Talmud composed around CE 257-320.

The monster in al-Jahiz’s account is a crab (saratan) – surely confusion with the similarly shelled turtle? In al-Qazwini’s entry on the turtle (sulhafat), he distinguishes between the terrestrial tortoise and the sea turtle. The sea turtle is of great size, and sailors believe it to be an island in the middle of the sea, landing on it and lighting a fire until the turtle stirs, whereupon those aboard the ship call out “Come back, for it is a turtle that felt the heat of the fire, come back that you may not go down with it!” Sindbad the Sailor encountered this creature in his first Voyage, but managed to escape with his life.

The Account repeated in the Physiologus and bestiaries such as the Exeter Book, and the monster is identified with the whale that swallowed Jonah. The original Greek versions of the bestiary talk of the Aspidochelone – a name of uncertain etymology. Chelone refers to a turtle or tortoise, but aspido has been assumed to mean “shield” or “asp” (as in, the snake). The “shield” origin may stem from the turtle’s shell, but it seems like a redundant descriptor for a turtle. Another possibility is that the turtle was originally more of a serpent, or that this is a reference to the aspidochelone’s evil.

Whatever the meaning, the name aspidochelone became corrupted over time to become the “fastitocalon”, and the turtle supplanted with the more familiar whale (although the description of a rough back sounds more like a turtle’s shell).

The Physiologus or Bestiary adds further moralizing elements to the story. The aspidochelone will exhale a pleasant odor from its mouth, attracting fish that are then swallowed. Thus the aspidochelone is an allegory for Satan. Sinners who anchor themselves to the Devil are doomed to go to Hell, and sinful pleasures are enticing as perfume.

The aspidochelone entry is preceded by the panther entry. Both use fragrant breath to attract other animals, but the aspidochelone is evil while the panther is an allegory for Christ. The juxtaposition is probably intentional. The fragrant smell of the aspidochelone may also be derived from the odorous cetacean substance known as ambergris.

Aspidochelones are minor subjects in medieval woodcarvings, visible at Kidlington, Great Grandsden, Isleham, Swaffham Bulbeck, and Norwich Cathedral. They can be distinguished by the presence of ships and cooking-pots on their back, or with their mouths open to attract fish.

References

Barber, R. (1993) Bestiary. The Boydell Press, Woodbridge.

Borges, J. L.; trans. di Giovanni, N. T. (2002) The Book of Imaginary Beings. Vintage Classics, Random House, London.

Cook, A. S. (1821) The Old English Physiologus. Yale University Press, New Haven.

Cook, A. S. (1894) The Old English ‘Whale’. Modern Language Notes, 9(3), pp. 65-68.

Curley, M. J. (1979) Physiologus. University of Chicago Press, Chicago.

Druce, G. C. (1914) Animals in English Wood Carving. The Third Annual Volume of the Walpole Society, pp. 57-73.

Gordon, R. K. (1957) Anglo-Saxon Poetry. J. M. Dent & Sons Ltd, London.

Hippeau, C. (1852) Le Bestiaire Divin de Guillaume, Clerc de Normandie. A. Hardel, Caen.

Iannello, F. (2011) Il motive dell’aspidochelone nella tradizione letteraria del Physiologus. Considerazioni esegetiche e storico-religiose. Nova Tellus 29(2), pp. 151-200.

Al-Jahiz, A. (1966) Kitab al-Hayawan. Mustafa al-Babi al-Halabi wa Awladihi, Egypt.

Al-Qazwini, Z. (1849) Zakariya ben Muhammed ben Mahmud el-Cazwini’s Kosmographie. Erster Theil: Die Wunder der Schöpfung. Ed. F. Wüstenfeld. Dieterichsche Buchhandlung, Göttingen.

White, T. H. (1984) The Book of Beasts. Dover Publications, New York.

Wiener, L. (1921) Contributions toward a history of Arabico-Gothic culture, volume IV: Physiologus studies. Innes and Sons, Philadelphia.

Nartôq

nartoq

The helping spirit Nartôq is “the pregnant one” or “the big-bellied one”. Iglulik Inuit shaman Anarqâq first encountered this spirit while out hunting caribou. Nartôq is a horrifying sight – its nose is on its forehead, and its lower jaw runs down into its breast.

When they first met, Nartôq charged Anarqâq threateningly, disappearing just before it reached him. Later on Nartôq reappeared and introduced itself to Anarqâq. “I was hot-headed earlier because you yourself are too quick to anger”, it told the shaman. “You need never fear me as long as you abandon your short temper”. Since then Nartôq become one of the shaman’s best helping spirits.

References

Rasmussen, K. (1929) Intellectual Culture of the Iglulik Eskimos. Glydendalske Boghandel, Nordisk Forlag, Copenhagen.

Nuppeppō

Variations: Nuppefuhofu (Mizuki); Nikubito (probably); Hō (probably); Nopperabō (probably)

The word Nuppeppō is derived from nupperi or nopperi, meaning “flat-faced” and referring to a flat, dazed expression. This yokai first appears in texts from the Edo period, and resembles nothing more than a blob of flesh with arms and legs. Its folds of skin and fat give it the appearance of a face on its body. While repulsive, nuppeppōs are frequently comical and inoffensive.

Sekien’s rendition of the nuppeppō has a culinary theme, placing it under a bronze bell that calls monks to their meals. The nuppeppō itself may be edible; according to Maki Bokusen, a nuppeppō-like creature appeared in the gardens of Shogun Tokugawa Ieyasu. This nikubito (“meat-man”) was taken away to the mountains away from the shogun’s sight. Alas, he discovered too late that it may have been the legendary Hō described in the book of the Hakutaku. One bite of the Hō’s flesh would reinvigorate a person’s constitution.

Shigeru Mizuki added further embellishments to the nuppeppō based on Sekien’s image. His “nuppefuhofu” is a “spirit of flesh” found in deserted temples. Monks that choose to sleep in those temple are unpleasantly awakened by the fleshy sound of its aimless staggering.

The Nopperabō is a later yokai probably derived from the nuppeppō. It is human in appearance except for its face – completely featureless and smooth as an egg. Unlike its older counterpart, the nopperabō is only ever a thing of terror.

References

Foster, M. D. (2015) The Book of Yokai. University of California Press, Berkeley.

Sekien, T.; Alt, M. and Yoda, H. eds. (2017) Japandemonium Illustrated: The Yokai Encyclopedias of Toriyama Sekien. Dover Publications, New York.