Bakunawa

Variations: Baconaua (Hiligaynon)

Bakunawa

The Asian eclipse monster has analogues in China, India, Malaysia, Mongolia, Thailand, and the South Sea Islands. In the Philippines, where the legend is widespread, it is usually a dragon or serpent or even an enormous bird. Bakunawa, “Eclipse”, is one of the best-known.

The Bakunawa of the Cebuano, or Baconaua as it is known to the Hiligaynon, is a colossal, fishlike dragon as large as the Negros and Cebu islands. It resembles a shark, with gills, a lake-sized mouth, and a striking red tongue. Whiskers one palmo long adorn its mouth. In addition to its powerful ash-gray wings, it has smaller wings along its sides.

Long ago there were seven moons in the sky. Bakunawa gobbled them up one by one until it came to the last and largest moon. It failed to swallow it, and tried to bite it into manageable chunks, sinking its teeth deep into the moon’s surface. To this day the bakunawa’s teeth-marks can still be seen on the moon. Every now and then the bakunawa will take to the sky and attempt to finish the job it started by swallowing the moon, causing an eclipse. To make it release the moon, utensils are clanged loudly together to startle it.

The bakunawa’s den is in the deepest parts of the sea. In January, February, and March its head faces north and its tail south; in April, May, and June its head faces west and its tail east, in July, August, and September its head points south and its tail north; and in October, November, and December its head is east and its tail west. The positions of the bakunawa during those four phases are used to divine the best time to build houses.

A children’s game called Bakunawa for 10 or more players involves one player as Buan, the moon, while another is Bakunawa. The remainder form a circle, holding hands and facing inwards. The moon starts inside the circle and Bakunawa is outside. The goal of the children in the circle is to prevent Bakunawa from entering the circle and capturing the moon – the moon itself cannot leave the circle. Bakunawa can ask individual players “What chain is this?” and they can answer that it is an iron, copper, abaca, or any material they can think of. When Bakunawa captures the moon, the players exchange roles or swap with players in the circle.

References

Jocano, F. L. (1969) The Traditional World of Malitbog. Bookman Printing House, Quezon City.

de Lisboa, M. (1865) Vocabulario de la Lengua Bicol. Establecimento Tipografico del Colegio de Santo Tomas, Manila.

Ramos, M. D. (1971) Creatures of Philippine Lower Mythology. University of the Philippines Press, Quezon.

Ramos, M. D. (1973) Filipino Cultural Patterns and Values. Island Publishers, Quezon City.

Ramos, M. D. (1990) Tales of Long Ago in the Philippines. Phoenix Publishing House, Quezon City.

Reyes-Tolentino, F. and Ramos, P. (1935) Philippine Folk Dances and Games. Silver, Burdett and Company, New York.

Beathach Mòr Loch Odha

Variations: Big Beast of Loch Awe, Big Beast of Lochawe

big-beast

Like so many other lake monsters, the true nature and appearance of the Beathach Mòr Loch Odha, the “Big Beast of Loch Awe”, is shrouded in mystery. Some say it resembles a giant horse, while others describe a colossal eel. What is known for certain is that the Big Beast is a large and powerful creature with twelve legs. It can be heard in the dead of winter, breaking the ice on the frozen loch.

It has been a long time since the Big Beast was last seen. Its existence is all but forgotten on the shores of Loch Awe, and a resident of Ford interviewed by Fleming in 2001 had nothing to say on its subject.

References

Campbell, J. G. (1900) Superstitions of the Highlands and Islands of Scotland. James MacLehose and Sons, Glasgow.

Fleming, M. (2002) Not of this World: Creatures of the Supernatural in Scotland. Mercat Press, Edinburgh.

Chipfalamfula

chipfalamfula

Chipfalamfula, “River-Shutter”, is an enormous aquatic creature found in Ronga Bantu tales and waterways of Mozambique, notably in the bay of Delagoa. It is of indeterminate gender and species, being either a whale or rather a colossal catfish. Chipfalamfula has control over all water, and can provide or withhold it as it pleases, causing droughts and floods alike. It is so large that its belly is a world on its own, with fertile fields, livestock, and communities of people living there happily and wanting for nothing. Tales of young girls living inside Chipfalamfula before returning to the surface may be regarded as coming-of-age stories.

Chichinguane, the youngest daughter of Chief Makenyi, was beloved by her father, but envied and hated by her older sisters. When the young women went to the riverbank to fetch clay for plastering walls, the eldest sister ordered Chichinguane to stay at the bottom of the clay pit and hand her the clay. She did as she was told, only to be left behind by her older sister to face a rising tide.

She had just about given up hope when Chipfalamfula surfaced next to her and opened its cavernous mouth. “Come inside, my daughter”, it told her reassuringly. “Come inside me where you will live in peace and comfort”. So Chichinguane did as she was told, and lived inside Chipfalamfula, sharing the river-shutter’s bounties with its other children.

Years passed, and the outside world caught up with Chichinguane as it was bound to do. Makenyi’s daughters came down to the river again, balancing pitchers of water on their heads and singing “We are the group who puts pitchers on their heads… She who killed her sister killed her in the swamp, where the reeds are tall…” The youngest of the group lagged behind. She was the new youngest member of the family, and now received the same hate the presumed-dead Chichinguane did. She wasn’t good at balancing a pitcher either. She sat down and wept, when lo and behold Chichinguane appeared, attracted by the singing. Her stay in Chipfalamfula had metamorphosed her, and she was now covered in glistening silvery scales. She also wasn’t particularly pleased with the lyrics of the song. “You tried to kill your sister?” she shouted, striking her younger sister. But the girl didn’t even recognize her, whereupon Chichinguane relented, and helped her little sister carry her pitcher. However, she did not follow her into the village, instead diving back into the river.

Soon Chichinguane and her youngest sister were meeting every day, and eventually Chichinguane told her sibling the truth about her and why she lived in the river. The sister returned and told her mother, who followed her to the river and tried to embrace her long-lost daughter. But Chichinguane warned her “Do not try to hold me, mother, I am now a fish and I must live in the water”. She slipped out of her mother’s arms like a greased eel and disappeared underwater again.

She still longed to return to her family, and finally Chipfalamfula allowed her to leave, blessing her with a magic wand to use in time of need. Chichinguane returned to her mother’s hut, where her silver scales fell off her body and become silver coins. Then she told them her story, of her older sister’s treachery, and of the land of milk and honey inside the river-shutter.

Chichinguane interceded to prevent the oldest sister’s execution by the furious Makenyi. This was a mistake, as she returned to her schemes. Talking Chichinguane and the youngest sister into climbing up a tree and sawing off branches, she then collected the branches and left, leaving them out on a limb. To make matters worse, a family of one-legged, one-armed, one-eyed, and one-eared ogres saw the two girls in the tree and started cutting it down. Fortunately, Chichinguane used the river-shutter’s wand to heal the tree every time it started to fall. The ogres grew tired and decided to rest, giving Chichinguane and her sister a window to escape. They climbed down the tree and ran with the ogres in hot pursuit, and when they reached the river, Chichinguane touched it with the wand and sang “Chipfalamfula, shut off the water”. The water parted before her and the two girls ran through to safety. The ogres were halfway through when Chipfalamfula opened the water again and drowned them. On their way back, Chichinguane and her sister found the ogres’ cave, full of untold riches, and returned home in regal finery.

The eldest sister was decapitated despite Chichinguane’s entreaties.

The name Chichinguane has confusingly been given to both the youngest and the eldest daughter. The latter is the case in Junod’s older source; Knappert’s usage of the name for the heroine has been preserved here.

References

Junod, H. A. (1897) Les Chants et les Contes des Ba-Ronga. Georges Bridel et Cie, Lausanne.

Knappert, J. (1977) Bantu myths and other tales. E. J. Brill, Leiden.

Lakúma

Variations: Lucooma

lakuma

According to the Yamana, the Lakúma are the most dangerous sea creatures of Tierra del Fuego. These water spirits have been known to tip canoes over, pull their occupants out, and drag them under to consume, leaving their entrails to float to the surface. They can also create huge waves, summon whirlpools, and whip up storms to damage larger vessels.

Lakúma have been compared to whales, squids, and giant worms, making their exact appearance hard to pin down. What is known is that they like to flatten themselves out on the water’s surface, letting their back protrude like a small island. Their broad and flat backs are covered with encrustations of unusually large mussels.

Sometimes there are so many lakúma in one spot that they can be used as stepping-stones. A group of Yamana on a desert island saw countless wide, flat lakúma rise to the surface, forming a living bridge to a bountiful island. “If we run quickly, we’ll get to the other side!” said one man, running over the backs of the lakúma and reaching the other shore. But the others were too slow, and the lakúma dove, taking them to a watery grave. The one survivor recruited enough men to slay many lakúma in retaliation, and their bodies can still be seen today in the form of large, flat stones at the bottom of the sea.

Lakúma will also attack people breaking taboos. It is known that a menstruating girl or túrikipa should not eat berries, but one girl thought she could circumvent the rule by sucking out the juices and spitting the solid outer part. Alas, her canoe was attacked by a lakúma, and it refused the offerings tossed at it until it took the girl and devoured her. It then flattened itself out on the surface and rested. The túrikipa’s people went onto the lakúma’s back, took some of the mussels, and used their sharp shells to dismember the lakúma. But that was small comfort for the túrikipa, whose entrails served as a grisly reminder of her fate.

For all their malevolence, lakúma can be tamed by a powerful yékamuš or shaman, and can become obedient servants. One yékamuš was with his wife in their canoe while she scolded him. “I thought you were a powerful yékamuš, but you can’t even strand a whale, or fetch birds to eat!” In response the yékamuš slept and summoned two lakúma, who raised the canoe’s bow up in the air. “Wake up! Help me!” cried his wife, and the yékamuš stirred and spoke nonchalantly. “I thought you said I was powerless”, he taunted, before telling her to paint the lakúma with white paint. She did as she was told, and the lakúma did not resist. Then they dove and created a good breeze to send the canoe effortlessly to its destination. “I had always made fun of you”, admitted the wife, “but now I know you are truly a capable yékamuš!”

References

Gusinde, M.; Schütze, F. trans. (1961) The Yamana; the life and thought of the water nomads of Cape Horn. Human Relations Area Files, New Haven.

Gusinde, M.; Wilbert, J. ed. (1977) Folk Literature of the Yamana Indians. University of California Press, University of California, Los Angeles.

Lilyi

Variations: Lilye, Lili

lilyi

Lilyi is the second child of Ana, Queen of the Keshalyi. Like her siblings, she is responsible for an array of ailments that plague humanity, and she had her genesis in the abusive relationship between Ana and her repulsive husband, the King of the Loçolico.

After the birth of Melalo, Ana understandably refused to have another child. But this time it was Melalo himself, desirous of a wife, who told his father to cook a fish in donkey’s milk, and administer a few drops of the liquid in Ana before taking her by force. The product of this vile union was Lilyi.

Lilyi, “Viscous” or “Slimy”, is mermaid-like, part fish (some sources specify hagfish) with a human head. Nine sticky threads or barbs flow from either side of her head, and they can penetrate a human body, causing buildup of mucus. She is responsible for catarrh, coughing, dysentery, influenza, vomiting, and other diseases involving mucus and discharges.

Her union with her brother Melalo produced further demons of disease, but she was herself persecuted by her younger brother Tçulo – at least until Tçulo got a sister-wife of his own.

References

Clébert, J. P. (1976) Les Tziganes. Tchou, Paris.

Clébert, J. P.; Duff, C. trans. (1963) The Gypsies. Vista Books, London.

Meyers Brothers Druggist (1910) Demons of Disease. Meyers Brothers Druggist, v. 31, p. 141.

Pavelčík, N. and Pavelčík, J. (2001) Myths of the Czech Gypsies. Asian Folklore Studies, v. 60, pp. 21-30.

Skötumóðir

Variations: Skate Mother; Fluxuskrímsl (Flake Monster); Vatnsandi (Water Spirit); Vatnaskratti (Water Devil)

skotumodir

Skate in Iceland are mystical creatures. Saint Peter recognized them as the holiest fish in the sea, and they are intimately connected with the number nine. A skate has nine good qualities and nine bad. It will watch over a drowned man for nine nights, and spend the next nine nights eating him. A skate will carry its young within her for nine months, then lie upon them for nine weeks, during which a stone grows within them. This stone, the “skate-stone”, could make a man invisible for one hour, or relieve labor pangs. Empty mermaid’s purses, or “Peter’s purses” as they are known, have lost their skate-stones.

Most terrifying of all is the Skötumóðir, or “Skate Mother”. Like the other Icelandic “fish mothers”, they are not necessarily skate themselves; in fact, some accounts describe them as evil whales that resemble skates. They are enormous and toxic to eat, with backs like mud-covered islands, and sport nine tails. Unlike regular skate, they have been found inland, in freshwater, and even on dry land.

There is always a swarm of skate swimming around a skötumóðir. As they are caught by fishermen, the sea seems to get shallower as the skötumóðir rises to the surface. Finally, the vengeful skate mother hooks its wings onto the gunwales of the boat, and drags it below the waves.

To evade a skötumóðir, prompt action is required. When the huge ray latches its wings onto the boat, they must be immediately chopped off with whatever sharp implement is handy. This will effectively neutralize the threat.

An enormous skate, no doubt a skötumóðir, was one of three monsters terrorizing people around Lagarfljót, lying in wait at ferry crossings. It was transfixed to the bottom of the river by a powerful sorcerer, and unless it has escaped, it is there still.

References

Davidsson, O. (1900) The Folk-lore of Icelandic Fishes. The Scottish Review, October, pp. 312-332.

Hlidberg, J. B. and Aegisson, S.; McQueen, F. J. M. and Kjartansson, R., trans. (2011) Meeting with Monsters. JPV utgafa, Reykjavik.

Flyðrumóðir

Variations: Flyðrumóðirin (pl.), Halibut Mother; Laxamóðir (Salmon Mother), Laxamóðirin (pl.); Silungamóðir (Trout Mother), Silungamóðirin (pl.)

Flydrumodir

The Flyðrumóðir, or “Halibut Mother”, is fairly representative of the Icelandic móðirin, the “mothers” of certain species of fishes. These creatures look like huge, monstrous versions of their namesakes, and they protect their smaller kin fiercely.

A flyðrumóðir looks like the halibut it protects, but it is much larger, growing to the size of a fishing boat. Its body, which turns grey on both sides with age, is covered with shells, barnacles, and seaweed, making it look like a small island when it surfaces.

While the flyðrumóðir has been said to be the mother of all fishes in the sea, its true “children” are the halibut. It is followed by schools of halibut out at sea, and it protects them if they are persecuted. A schooner in Faxaflói attracted (and escaped) the attention of a flyðrumóðir after it hauled up 40 halibuts. Another fishing boat owned by Archdeacon Hannes Stephensen was less lucky; it caught a flyðrumóðir on a coffin-nail hook, but was capsized by the halibut mother with all hands lost.

Even catching a flyðrumóðir is not necessarily a good thing. After the halibut mother of Breiðafjörður was snagged on a golden hook and filleted, the waters of the area ceased to produce fish, and the angler who caught the giant halibut never again caught a fish in his life.

Similar fish mothers include the freshwater Laxamóðir, “Salmon Mother” and Silungamóðir, “Trout Mother”. Both of these resemble oversized salmon and trout, respectively. Salmon mothers will swim out of salmon-rich rivers, tearing through fishing nets along their way. The big-headed trout mothers are bad luck to catch, and should be released whenever possible.

References

Hlidberg, J. B. and Aegisson, S.; McQueen, F. J. M. and Kjartansson, R., trans. (2011) Meeting with Monsters. JPV utgafa, Reykjavik.