Geluchart

Variations: Animal Monstrueux (Monstrous Animal) (Paré); Testudo Polypus (Gesner)

Geluchart

Iambulus the Greek sailor saw many marvels on the Islands of the Sun. One of those is an unnamed animal, small, round, and similar to a tortoise. It has two diagonal yellow stripes on its body, with an eye and a mouth at each end of the stripes, giving it four eyes and four mouths around its body. It eats with all four mouths, which all lead into a single gullet and stomach; its inner organs are likewise single. This creature also has many feet which allow it to move in any direction it wishes. Most miraculous of all is its blood, which is endowed with such healing power that it can instantly reattach severed body parts. As long as the cut is fresh and the body part is not vital (a hand, a foot, a limb, and so on), the animal’s blood will glue it back on again.

The adventures of Iambulus were recalled by Diodorus Siculus and cheerfully dismissed by Lucian as “obviously quite untrue” but a highly entertaining story nonetheless.

Temporal’s 1556 French translation of Leo Africanus’ works appends the travels of Iambulus and other seafaring yarns, lending them more credibility by association (or giving Leo’s accounts less credibility in the same manner). Translation errors have already set in, considering the adventures of Iambulus were translated into French by way of Tuscan. In Temporal’s version, the unnamed round animal now has two lines on its back in the form of a golden cross, and one eye and one ear at the end of each line, allowing it to hear and see in four directions. There is only one mouth through which the animal feeds. Its blood can cause any dismembered, still living body to come back together. The account is accompanied with a memorable image of the creature, with a long, thin tail ending in a tuft; the number of legs is fixed at twelve in the picture. Severed limbs surround the animal.

Is this the same as the Geluchart of the Caspian Sea? Thevet’s Cosmographie describes an animal called the geluchart, named after a nearby lake where it is also found in abundance. It has a head like a turtle’s (but much bigger), a small rat’s tail, and eight legs (four on each side). It is covered with scales and mottled with red and black spots. Thevet affirms that it is the tastiest fish in existence.

Thevet may have had the Iambulus creature in mind – specifically the illustration in the Temporal translation, as Thevet mentions the rat’s tail present in the image but not in the text. Either way, Vallot lumps them together, along with Gesner’s Testudo Polypus (“Many-legged Turtle”). For lack of a better term “geluchart” has been adopted as a title for this entry.

Paré’s unnamed “monstrous animal” is taken directly from Temporal’s Iambulus, with an image copied from that account. Paré erroneously credits Leo Africanus with describing the “very monstrous animal” but otherwise repeats the attributes given to it, including blood capable of sealing any wound. The description mentions several legs as well as establishing a “rather long” tail, “the end of which is heavily tufted with hair”. Its location is moved from Iambulus’ mythical island; it is now “born in Africa”.

Vallot attributes the ocellated pufferfish as the origin of this creature, but surely its origin in ancient Greek utopian fiction makes such association futile? Its wondrous properties cause Paré to wax poetic. “But who is it who would not marvel greatly on contemplating this beast, having so many eyes, ears, and feet, and each doing its office? Where can be the instruments dedicated to such operations? Truly, as for myself I lose my mind, and would not know what else to say, other than that Nature has played a trick to make the grandeur of its works be admired”.

References

Diodorus; Oldfather, C. H. trans. (1967) Diodorus of Sicily in Twelve Volumes, v. II. Harvard University Press, Cambridge.

Gessner, C. (1586) Historiae Animalium Liber II: Quadrupedibus Oviparis. Johannes Wecheli, Frankfurt.

Leo Africanus; Temporal, J. trans. (1556) De l’Afrique. Jean Temporal, Lyon.

Leo Africanus; Temporal, J. trans. (1830) De l’Afrique. Gouvernement de France, Paris.

Lucian; Turner, P. trans. (1961) Satirical Sketches. Penguin Books, London.

Paré, A. (1614) Les Oeuvres d’Ambroise Paré. Nicolas Buon, Paris.

Paré, A. (1996) Des Monstres et Prodiges. Fleuron, Paris.

Thevet, A. (1575) La Cosmographie Universelle. Guillaume Chaudiere, Paris.

Vallot, D. M. (1834) Mémoire sur le Limacon de la Mer Sarmatique. Mémoires de L’Académie des Sciences, Arts, et Belles-Lettres de Dijon, Partie des Sciences, Frantin, Dijon.

Caladrius

Variations: Charadrius, Caradrius, Caladres, Kladrius, Icterus, Galgulus, Stone-curlew

Caladrius

The Caladrius is a miraculous healing bird, believed to range from Europe to Jerusalem. It is generally believed to have originated from the stone-curlew, with other influences including seagulls, falcons, herons, ibises, owls, and any of a number of plovers (Charadriidae).

A caladrius is a waterbird the size of a hen or dove. It has immaculately white plumage, with a long neck, yellow eyes, beak, and legs, and rarely straight goat’s horns. Earlier accounts refer to it as being yellow, while others grant it reddish wings, spots, and a yellow-tinged dark color. It is an unclean bird and must not be eaten.

In its simplest form, the caladrius will cure jaundice by returning the stare of a patient who gazes intently at it. This connection to jaundice was inspired by the striking, staring yellow eyes of the stone-curlew. Its dung and the marrow of its thigh-bones will cure blindness.

A caladrius knows if a patient will live or die. It will look at someone who will be cured, and look away from someone doomed to die. Sometimes all it takes to be cured is touching the caladrius. The caladrius touches its beak to the patient’s mouth, taking disease and sickness into itself, and flies into the sky, where the sun burns the illness into oblivion.

This equates the pure and flawless caladrius with Christ, as it looks at and heals the faithful, granting them life, taking sins away in the process. The caladrius was iconographically represented in the role of a healer, sitting on the bedstead of a sick person and either looking to or away from the patient.

It was often kept in the court of kings for its curative powers. The sale of live caladrius was a potentially lucrative business, but merchants had to hide their specimens to avoid having people come in to see them and get cured for free.

References

Aelian, trans. Scholfield, A. F. (1959) On the Characteristics of Animals, vol. III. Harvard University Press, Cambridge, Massachusetts.

de Beauvais, P.; Baker, C. ed. (2010) Le Bestiaire. Honoré Champion, Paris.

Druce, G. C. (1912) The Caladrius and its Legend, Sculptured upon the Twelfth-Century Doorway of Alne Church, Yorkshire. Archaeological Journal, vol. 69, pp. 381-416.

del Hoyo, J.; Elliott, A.; Sargatal, J.; Christie, D.A.; & de Juana, E. (eds.) (2013) Handbook of the Birds of the World Alive. Lynx Edicions, Barcelona.

White, T. H. (1984) The Book of Beasts. Dover Publications, New York.

Wright, T. (1845) The Archaeological Album. Chapman and Hall, London.