Ccoa

Variations: Cacya; Chokkechinchay, Choquechinchay

Ccoa

In the Peruvian Andes, certain protective spirits are known to live in the mountains. Apus are guardian deities of regions, while aukis are spirits of cultivation. Their mountain haciendas keep a number of livestock as well as other spirits that serve the apus and aukis. Condors are their chickens, and vicuñas are their llamas. The ccoa is their cat and is the most feared of those spirits. Its primary dwelling is the mountain Ausangate, near the village of Kauri in the Cuzco district. It is associated with (and perhaps identical to) Choquechinchay, the evening star and a constellation of a fierce puma with brilliant eyes.

The ccoa is a catlike creature 40 cm tall and 60 cm long, with a tail 30 cm in length and 3 cm wide. It is gray with black stripes running the length of its body. Its head is proportionally a bit larger than a cat’s, with phosphorescent eyes; often there is hail running out of its eyes and ears. Sometimes the ccoa appears as a catlike bull with eyes of blood.

During the rainy season the ccoa emerges from highland springs in the form of clouds. An active and angry spirit, it seeks to steal the crops before the harvest, destroying them with hail. Its tail sweeps the clouds, bringing storms, hail, and deadly lightning. It is unclear whether the ccoa acts on its own initiative or if it only follows the orders of its spirit masters, but either way it is treated as a malevolent threat that must be placated.

When it comes to interaction with the ccoa, there are two kinds of people: those who serve the ccoa and those who fight it. The rich serve the ccoa, as their fields are never harmed by hailstorms. The poor fight it, as their fields are destroyed by the ccoa and their families stricken with disease. The ccoa is also revered by sorcerers, as it grants them powers by striking them with lightning.

The ccoa can be placated with suitable offerings. These are usually a combination of materials including incense, wine, gold and silver tinsel, llama tallow, and cañihua and huairuro grains, collected and burned on high ground. Sorcerers in particular must be sure to make offerings to the ccoa in thanks for their gifted abilities. The ccoa is angered by unsatisfactory offerings by sorcerers, children dying before being baptized, and attempts to fight off its hail.

The souls of unbaptized children are duendes, and they are irredeemably malevolent. When children die before they are baptized, they must be taken to he hills and burned to ashes. If unbaptized children are buried, the ccoa will strike their burial place with lightning and take the duendes to Ausangate as servants.

Sometimes the ccoa is replaced entirely by Santiago, a more neutral deity who causes hail and lightning but also protects crops.

The ccoa may be a modern-day descendant of the ancient Chavín feline cult.

References

Bankes, G. (1977) Peru Before Pizarro. Phaidon, Oxford.

Cumes, C. and Valencia, R. (1995) Pachamama’s Children. Llewellyn Publications, St. Paul.

Harrison, R. (1989) Signs, Songs, and Memory in the Andes. University of Texas Press, Austin.

Mishkin, B. The Contemporary Quechua. In Steward, J. H. ed. (1946) Handbook of South American Indians v. 2: The Andean Civilizations. United States Government Printing Office, Washington.

Gallo de la Muerte

Gallo de la Muerte

Every hundred years, a kite in the Spanish mountains lays a red egg in a gorse bush. From that egg hatches a black and white bird, larger than a chicken, which lives exactly fifty years. When that bird dies, a green worm emerges from its rotting flesh. That worm gradually metamorphoses into a Gallo de la Muerte – a Rooster of Death.

A gallo de la muerte has black plumage and a white comb with blue and reddish spots. Anyone who hears its whining, screaming quiquiriquí is doomed to die the next day.

The only remedy for this death sentence is a particular herb that grows among the mountain apple trees from the start of spring till the month of May. This herb is blue and has black roots. The remedy involves boiling this herb in rosemary water and praying over the concoction before it is imbibed.

References

Candón, M. and Bonnet, E. (1993) A buen entendedor…Anaya & Mario Muchnik, Madrid.

Llano, M. (1998) Obras Completas, t. I. Alianza Editorial, Madrid.

Nue

Variations: Nue-dori (Nue-bird)

Nue

Described as a “bird-beast”, the Nue lacks any avian physical features. It exists largely outside the Japanese yokai canon, best known from the Tale of the Heike (1371).

The kanji for the word nue are “night” and “bird”. It is likely that the legend of the nue started with a Chinese bird. When it appeared in the 8th-Century Kojiki and the Manyōshū it was a bird that sang mournfully in the forest at night. Purification rituals would be performed in the palace after its sad song. This is probably the White’s thrush or toratsugumi (Zoothera dauma).

In the Tale of the Heike the nue becomes a frightening hybrid creature with the head of a monkey, the body of a tanuki or badger, the limbs of a tiger, and a snake’s or viper’s tail. It makes a cry like that of the nue thrush and lives deep in the mountains. It would appear in the sky over the emperor’s palace every night, hidden in a foreboding black cloud.

The nue was shot out of the sky by Minamoto no Yorimasa with a single arrow. For this feat he was awarded the sword known as Shishiō, the “King of Lions”, which is still on display at the Tokyo National Museum. The event also established Yorimasa’s reputation as a slayer of monsters, and he killed a second nue during the reign of a later emperor.

A 15th-Century Noh drama by Zeami Motokiyo tells the tale of the nue’s slaying from the perspective of the nue. Its forlorn lament over its death hearkens back to its origin as a bird with a sad song.

References

Foster, M. D. (2015) The Book of Yokai. University of California Press, Berkeley.

Sekien, T.; Alt, M. and Yoda, H. eds. (2017) Japandemonium Illustrated: The Yokai Encyclopedias of Toriyama Sekien. Dover Publications, New York.

Igtuk

Igtuk, the boomer, is the source of mysterious booming sounds heard in the Canadian mountains. His place of residence is unknown. Our knowledge of this creature was related by the Iglulik Inuit mystic Anarqâq. Igtuk was not specified to be one of Anarqâq’s helping spirits, and he is probably hostile to humans.

Igtuk resembles no other living thing. His arms and legs are on the back of his body, while his single large eye is level with his arms, and his ears are in line with his eye. His nose is inside his cavernous mouth, and there is a tuft of thick hair on his chin. The booming for which he is known is produced when Igtuk moves his jaws.

References

Rasmussen, K. (1929) Intellectual Culture of the Iglulik Eskimos. Glydendalske Boghandel, Nordisk Forlag, Copenhagen.

Agropelter

Variations: Anthrocephalus craniofractens (Cox), Brachiipotentes craniofractans (Tryon), Argopelter (erroneously), Widow-maker

Agropelters are violent and aggressive critters found in lumberwoods from Maine to Oregon. Injury and death blamed on freak falling branches are always the work of an agropelter, who hates lumberjacks for their invasion of its territory.

Our only description of an agropelter comes from Big Ole Kittleson, who survived an agropelter attack long enough to see the creature escape. An agropelter has the villainous face of an ape on a sinewy little body, with incredibly powerful arms like organic whips.

Agropelters use the prodigious strength of their arms to break off and fling branches. They always pelt with pinpoint accuracy, smashing or impaling their victims. Big Ole Kittleson was fortunate enough to be pelted with a rotten branch that crumbled upon impact.

Apart from their murderous activities, agropelters are highly agile climbers and brachiators, and make their home in trees by eating and hollowing out the center of a dead tree. Pups are born on February 29 and always in odd numbers. Agropelters subsist on a diet of owls and woodpeckers. As these birds are sadly being exterminated, the agropelters are getting scarce.

References

Brown, C. E. (1935) Paul Bunyan Natural History. Madison, Wisconsin.

Cox, W. T. (1910) Fearsome Creatures of the Lumberwoods with a Few Desert and Mountain Beasts. Judd and Detweiler, Washington D. C.

Tryon, H. H. (1939) Fearsome Critters. The Idlewild Press, Cornwall, NY.

Jarjacha

The Jarjacha is a nocturnal Peruvian beast, quadrupedal, with a long neck and glowing eyes. It lives on a diet of human flesh, but has very specific preferences: it feeds solely on incestuous men and women, or those who have committed carnal sins towards their spiritual compadres. It itself may be born from the soul of an incestuous person or taboo-breaker.

A jarjacha manifests primarily in its call, a loud rattling cry that echoes through the hills. “Jar-jar-jar-jar-jar”… It repeats, over and over. The villagers shiver, cross themselves, and lock their doors.

By morning the atmosphere is tense. Everyone knows there is a sinner among them, some incestuous wretch who has brought judgment down on themselves. The parish priest decries the existence of the son of Satan in their midst, one who will be punished by divine retribution. Eventually the shamed culprit is brought to light, and given an auto-da-fé in the public square.

Jarjacha is the worst insult that can be leveled at someone.

References

Bustamante, M. E. (1943) Apuntes para el folklore Peruano. La Miniatura, Ayacucho.

Chouyu

Variations: Jiuyu, Jiyu

The slopes of Exceedingly Lofty Mountain in China are home to the Chouyu. It is like a rabbit but has a bird’s beak, owl’s eyes, and the tail of a snake. It falls asleep (i.e. plays dead) when it sees people. If a chouyu is seen it is an omen of a locust plague.

Mathieu identifies this animal as the armadillo, but admits with impressive understatement that China is a bit far from the neotropics…

References

Mathieu, R. (1983) Étude sur la mythologie et l’ethnologie de la Chine ancienne. Collège de France, Paris.

Strassberg, R. E. (2002) A Chinese Bestiary: Strange Creatures from the Guideways Through Mountains and Seas. University of California Press.