Rolling-calf

Variations: Rolling Calf

Rolling Calf

A duppy is a type of ghost or spirit native to Jamaica. While described as the souls of dead people, duppies have much in common with Old World shapeshifters and roadside tricksters. They may be found in bamboo thickets and cottonwood groves, and feed on bamboo, “duppy pumpkin”, and strangler figs. Duppies appear from seven in the evening till five in the morning, and sometimes at noon. Duppy activities range from simple mischief to arson, beating, burning, poisoning, and stoning, but they are powerless against twins and those born with a caul. A left-handed crack with a tarred whip and the burning of certain herbs keep them away.

Some of the more dangerous duppies include Three-foot Horse, whose breath is poison and which can outrun anything, but which cannot attack those in the shadow of trees. Then there is Whooping-Boy who rides Three-foot Horse while whooping loudly. Long-bubby Susan has pendulous breasts that reach the ground, and which she throws over her shoulders. Old Hige, the witch, is fond of abducting children, but can be confounded by rice thrown on the doorstep – the duppy cannot count above three, but is compelled to count the grains anyway.

Then there is Rolling-calf, one of the worst and most feared duppies. “Rolling” in this context means “roaming”, as in “rolling through town”. It is a shapeshifter that can appear in a number of guises. The best known is that of a hornless goat, black or white or spotted, with a corresponding caprine stench. One of its front legs is human, the other is that of a horse, and the two hind legs are those of a goat. Its tail curls over its back. Its eyes are red and glow like blazing fires. Flames come from its nostrils. There is a collar on its neck, with a chain that drags on the ground and rattles ominously. The rolling-calf can also appear as a cat, dog, pig, goat, bull, or horse, with the brindled-cat form being particularly dangerous. It can be as small as a cat, or as big as a bull.

A rolling-calf is the soul of a particularly wicked person. Butchers and murderers return as rolling-calves, as do Obeah men; the latter can also set rolling-calves on people. Rolling-calves are found in bamboo and cottonwood as well as caves and abandoned houses, coming out on moonless nights in search of sugar (they are fond of molasses) and breaking into cattle pens.

Rolling-calves can wreak all sorts of evil and blow “bad breath” on their victims, but they can be warded off in a number of ways. Flogging them with a tarred whip always helps, as does sticking an open knife into the ground. Even more useful is the fact that rolling-calves are terrified of the moon to a comical extent.

But whatever method is used to escape a rolling-calf’s clutches, you would be well-advised to leave the premises at once. The rolling-calf will return with a vengeance.

References

Beckwith, M. W. (1924) Jamaica Anansi Stories. G. E. Stechert and Co., New York.

Beckwith, M. W. (1929) Black Roadways: A Study of Jamaican Folk Life. The University of North Carolina Press, Chapel Hill.

Kăk-whăn’-û-ghăt Kǐg-û-lu’-nǐk

Variations: Akhlut (erroneously)

kakwanugat-kegurlunik

Around the coastlines of the Bering Strait, pack ice constantly breaks off and floats away. If there are wolf tracks on the ice, and a chunk of that breaks loose, then it looks as if the prints lead into the water’s edge, or as if a wolf came out of the sea. Yupik folklore holds that this is evidence of the Kăk-whăn’-û-ghăt Kǐg-û-lu’-nǐk.

A kăk-whăn’-û-ghăt kǐg-û-lu’-nǐk is a killer whale (akh’-lut) that can shapeshift at will into a wolf (kǐg-û-lu’-nǐk) to hunt on land. The name of kăk-whăn’-û-ghăt kǐg-û-lu’-nǐk is applied to those creatures when in wolf form. They are aggressive and will kill humans if given the chance.

The kăk-whăn’-û-ghăt kǐg-û-lu’-nǐk is typically depicted as halfway through its transformation – whale at one end and wolf at the other. The beluga whale and caribou are a similarly symbiotic pair, becoming a whale in the sea and a reindeer on land.

References

Nelson, E. W. (1900) The Eskimo about Bering Strait. Extract from the Eighteenth Annual Report of the Bureau of American Ethnology, Government Printing Office, Washington.

Each Uisge

Variations: Each-uisge, Water horse

each-uisge

While the kelpie plies the rivers and streams of Scotland, the lochs and seas are home to the far more dangerous Each Uisge, literally the “Water Horse”. Each uisges are carnivorous, and relish human flesh. While other water-horses are content with playing pranks, tossing riders into ponds and laughing at their lot, an each uisge’s actions are always predatory. In addition to hunting humans, they will also reproduce with farm animals, siring foals with flashing eyes, strong limbs, distended nostrils, and an indomitable spirit.

Like kelpies, each uisges are shapeshifters and can assume a wide variety of forms, from sea life to attractive human beings. Their most common guise, however, is that of a fine horse, standing by the waterside and waiting to be mounted. Such horses are always magnificent, sleek, and wild-looking, and their neighs can wake people up all around the mountains.

The each uisge in human form is attractive and charming, but always has some features that give it away – horse’s hooves, for instance, or hair full of sand and seaweed, or a tendency to whinny in pain. In such cases where an each uisge lover was found out, it is usually killed by the girl’s father or brothers before it can devour her. Regardless of the shape it has taken, an each uisge’s carcass will turn into formless jellyfish slime by the next day.

Sometimes the each uisge is a large bird, although this may be confusing it with the boobrie. More worrisome features have been observed, including viciously hooked, 17-inch long beaks, enormous claws, and footprints larger than an elephant’s. An each uisge observed at the Isle of Arran was light grey, with a parrot-like beak and a body longer than an elephant’s.

For all their carnivorous nature, each uisges can be easily tamed by slipping a cow’s cap or shackle onto it, turning it docile and harmless. If the cap or shackle ever falls off, the each uisge immediately gallops off for the safety of the loch, possibly dragging its would-be master with it. Each uisges can also be tamed by stealing their magic bridles. They use them to see fairies and demons, and are vulnerable without them. Finally, like many other evil creatures, each uisges avoid crosses and other religious symbols.

Every loch in Scotland has its own each uisge. Loch Treig was said to have the fiercest each uisges. Loch Eigheach means “Horse Loch” and is home to a much-feared each uisge, with a deadly charm and a silky grey hide. It would yell triumphantly as it bore its prey into the water.

Seven girls and a boy once found an each uisge on a Sunday afternoon near Aberfeldy. It was in the form of a pony, and it continued grazing as the first girl jumped onto its back. One by one, the other girls followed their friend onto the pony, but only the boy noticed that the pony’s back grew longer to accommodate its riders. Finally, the pony tried to get him on as well. “Get on my back!” it said, and the boy ran, hiding in the safety of the rocks. The terrified girls found that their hands stuck to the each uisge’s back, and they could only scream as it dove into the loch. The next day, seven livers floated to the surface.

The son of the Laird of Kincardine encountered an each-uisge near Loch Pityoulish. He and his friends found a black horse with a bridle, reins, and saddle all made of silver. They got onto it and immediately found themselves on a one-way trip to the loch, their hands glued to the reins. Fortunately for the heir of Kincardine, the youth had only touched the reins with one finger, and freed himself by cutting it off, but he could only watch as the water-horse took his friends with it.

While the water-horse legend may be pervasive and universal in northern Europe, some of the each uisge’s appearances may be more prosaic. The beak and large footprints of some each uisges suggest a leatherback turtle more than they do a horse.

References

Fleming, M. (2002) Not of this World: Creatures of the Supernatural in Scotland. Mercat Press, Edinburgh.

Gordon, S. (1923) Hebridean Memories. Cassell and Company Limited, London.

MacKinlay, J. M. (1893) Folklore of Scottish Lochs and Springs. William Hodge & Co., Glasgow.

Parsons, E. C. M. (2004) Sea monsters and mermaids in Scottish folklore: Can these tales give us information on the historic occurrence of marine animals in Scotland? Anthrozoös 17 (1), pp. 73-80.

Margot la Fée

Variations: Margot-la-Fée, Margot, La Bonne Femme Margot (The Good Woman Margot), Ma Commère Margot (My Godmother Margot), Fée Morgant

Margot

The Margot la Fée, “Margot the Fairy”, or more simply Margot, are fairies native to Brittany, particularly Collinée, Lamballe, Moncontour, and most of the Côtes-d’Armor. They are generally seen as benevolent and protective, but capable of deadly violence when provoked. The name of Margot – also used for magpies – is probably derived from Morgan or Morgana, as evidenced by the alternative name of Morgant; most local names are placatory terms of affection. Margot fairies are closely associated with megaliths, caves, treasures, and snakes, leaving the beaches to the Fées des Houles and the Groac’h.

Like most fairies, Margot fairies vary a lot in appearance, appearing as both young and old women as well as animals. They spend part of their time as snakes, both willingly and against their will, in which form they are most vulnerable. They possess considerable magical powers, dance in circles at night, haunt dolmens, swap babies with voracious changelings, and flee religious symbols.  Sometimes a Margot would take a fancy to a handsome young shepherd and choose to keep him in a cave for herself. In those cases time itself would seem to slow down, such were the pleasures that the fairy offered.

Margot fairies happily care for the livestock of their neighbors, even going so far as to feed them in the caverns while their owners were away. The Margot’s own livestock remained in the caves, emerging only to feed. On the other hand, hungry Margot fairies will tear a cow to pieces and devour it, only to restore it to life by the next morning, missing only any pieces that had been eaten by humans during the feast.

Margot fairies are often the guardians of fabulous riches. They will handsomely reward those who aid them, and punish any who take advantage of their generosity. If they tell you to take a certain amount of treasure and no more than that, you would be wise to follow their instructions to the letter. One man who took more gold from the Crokélien Hill fairies than he was instructed to had his son taken away from him, never to be seen again.

Other gifts of the Margot are more prosaic. They will offer piping hot loaves of bread to the hungry – loaves that never get smaller, no matter how many slices are cut from them. But if a piece is offered to someone else deemed unworthy by the fairies, the loaf will no longer regenerate.

Small acts of compassion are looked on with great favor. Two harvesters, resting after scything wheat, encountered a little grass snake eating the breadcrumbs they left behind. One tried to kill it, while the other stopped him, saying it would be wrong to kill a small, harmless animal. In the evening a Margot appeared to the second man and thanked him for protecting her daughter. She gave him two belts, one for him and one for his friend, telling him not to mix them up. His was of pure gold, while the other he tied to an oak tree, which wilted overnight.

Another man working near the hill of Crokélien encountered a Margot, who asked a favor of him. “Bring a large washtub with you”, she said, “and go to the Planchettes Bridge at sunrise. There you will find a grass snake. Put the washtub over it and sit on top. If anybody asks you why you’re there, tell them you’re waiting for the blacksmiths to fix the tub. At sundown, remove the tub, and you shall be richly rewarded for your help”. The man did as he was told, and sure enough, the snake was there at the bridge as the fairy had said. He covered it with the washtub and sat patiently there for the rest of the day, weathering the taunts and jeers of passers-by with aplomb. At sunset he removed the tub to find a beautiful maiden underneath. She was the Margot’s daughter, who transformed into a snake one day every year, and would have been killed had it not been for the man’s intervention. As promised, he never wanted for gold or silver for the rest of his life.

Human midwives will also be recruited by Margots to aid them in childbirth, gifting them with the power of second sight for the occasion. But woe to her if she let on that she could still see the fairies! A vindictive Margot would gouge her eye out, or spit in her face and blind her.

References

Dubois, P.; Sabatier, C.; and Sabatier, R. (1996) La Grande Encyclopédie des Fées. Hoëbeke, Paris.

Sébillot, P. (1887) Légendes Locales de la Haute-Bretagne: Les Margot la Fée. Maisonneuve et Ch. Leclerc, Paris.

Sébillot, P. (1904) Le Folk-Lore de France, Tome Premier: Le Ciel et la Terre. Librairie Orientale et Américaine, Paris.

Sébillot, P. (1905) Le Folk-Lore de France, Tome Deuxième: La Mer et les Eaux Douces. Librairie Orientale et Américaine, Paris.

Sébillot, P. (1906) Le Folk-lore de France, Tome Troisième: La Faune et la Flore. Librairie Orientale et Américaine, Paris.

Sébillot, P. (1968) Le folklore de la Bretagne. Éditions G. P. Maisonneuve et Larose, Paris.

It

It

Shetland is home to a number of creatures, some malevolent and some benign, but the most disconcerting of all is the entity known only as It.

Nobody can agree on what It looks like, and It has never appeared in the same form twice. Whether It is a shapeshifter or uses magic to obscure Its true appearance is unknown. Descriptions include a lump of “slub” or jellyfish, a legless animal, a headless human, and a bag of white wool. It could be a large otter or seal, but to those who have seen It, there is no otter or seal that compares. It is legless, but runs faster than any dog; It is wingless, but flies faster than any eagle; It is silent, but people understand what It is saying without hearing a word.

One Shetland house was plagued every Christmas by It. A man living there was alerted to Its presence, Its movement sounding like a mass of dead flesh hitting the floor. The man ran outside armed with an axe and a Bible, and chased It up the cliffs, embedding his axe in Its body while uttering a holy word. It was immobilized before It could dive back into the sea.

When the man called his friends over, they could tell if It was alive or dead, and It looked different to each of them. It was buried in earth and a trench dug around it, but nobody dared check on It. A stranger was brave enough to observe the burial site, but a mist rose, and something emerged from the ground to roll into the ocean. It had escaped.

References

Saxby, J. M. E. (1932) Shetland Traditional Lore. Grant and Murray Limited, Edinburgh.

Vodyanoi

Variations: Vodianoi, Vodyanik, Vodnik, Vodeni Moz, Deduska Vodyanoy (Water-Grandfather), Vodianoi-chert (Water Devil), Vodianikha (female), Topielec (Drowner, Polish), Vodyany-ye (pl.); Bolotnyi (potentially)

Vodyanoi

The malevolent and murderous Vodyanoi, from voda or “water”, is the Slavic water spirit. It frequents lakes, ponds, rivers, and other bodies of water, but it especially prefers mill-ponds. Their homes range from the humble dwellings of sand and slimy logs of Olonets to underwater palaces of crystal, decorated with gold and silver taken from shipwrecks, and illuminated by a magic stone shining brighter than the sun. The palaces are primarily known from Kaluga, Orel, Riazan, and Tula. The female vodyanyoi is also known as the vodianikha, although a rusalka or a drowned woman will also be taken as a bride. Variants of the vodyanoi are known in Belarus, Poland, and Yugoslavia.

A vodyanoi varies wildly in appearance. It can be roughly human in appearance, with big paws, horns, tail, and eyes like burning coals; it can be a huge man covered with grass and moss, with shaggy white fur, or with scales; it can be black with huge red eyes and a long nose, or bluish and slimy, bloated and crowned with reeds. Sometimes it appears in the form of a human, as an old man with green hair and beard that turned white with the waning moon, as a white-bearded peasant in a red shirt, as a naked woman with enormous breasts combing her dripping hair while seated on a log, or in the form of guardsmen and children. It can be half fish and half human, or appear as a huge moss-covered fish, a swan, or even a bouquet of red flowers on the water. In Smolensk the vodyanoi is humpbacked and has the feet and tail of a cow, while in Vologda it is a log with little wings flying over the water. A vodyanoi out of the water and in human guise can be identified by the water oozing out of its coat.

The vodyany-ye are immortal, but grow younger or older with the moon. They are weak on land, but virtually invincible in the water, and they dislike going out of the water beyond the bank or mill-wheel; some vodyany-ye refuse to emerge from water beyond the waist. They like to ride livestock until they die of exhaustion. Their presence in the market is an omen; if a vodyanoi buys corn at high prices, the harvest will fail, but a vodyanoi buying cheaply foretells bountiful crops.

They rest in their palaces during the day, and come out in the evening splashing the water with their paws, making a noise that can be heard over great distances. Vodyany-ye hate humans and lurk in the water after sunset, dragging people in when the opportunity arises. Those they drown become their slaves, or if attractive enough their wives. They take offense to anyone attempting to retrieve the bodies of the drowned, seeing them as their rightful property. Recovered bodies with bruises and marks on them were seen as bearing the scars of battle with a vodyanoi. In some places the presence of a vodyanoi became a serious threat. One mill-pond in Olonets held a vodyanoi family that required a constant source of corpses to eat. The inhabitants of the area learned to avoid the pond, and the family was eventually forced to relocate.

A vodyanoi sees mill-dams as an insult, and will destroy them to keep the water flowing. Horses smeared with honey, hobbled, and drowned with millstones make good placatory offerings. Drunk passers-by can also be pushed into mill-ponds to earn the vodyanoi’s trust.

As with other evil spirits, a vodyanoi can be exorcised; in fact, in some areas such as Tula, the vodyanoi is indistinguishable from the devil. Shooting a vodyanoi with buttons has been known to kill them as well. But while a vodyanoi can bear grudges, it can just as soon show gratitude. One vodyanoi who was aided in fighting off a rival promised never to drown anyone.

A vodyanoi is not hostile to fishermen and millers due to their affinity with water. Millers would deposit bread, salt, vodka, black sows, and ram’s heads at the water’s edge as offerings to the vodyanoi, and offer black roosters when building a new mill. Some millers were on such good terms with their local vodyanoi that they dined with them every night. Fishermen, on the other hand, would toss butter or tobacco into the water, saying “here’s some tobacco for you, vodyanoi, give me a fish!” A pleased vodyanoi would drive fish into a fisherman’s net. Finally, beekeepers also kept up good relations with the vodyanoi by offering honey and wax, and in return the water-spirit prevented humidity from damaging the hives.

The bolotnyi, from boloto or “swamp”, is a possible variation of the vodyanoi found in swamps.

References

Aldington, R. and Ames, D. trans.; Guirand, F. (1972) New Larousse Encyclopedia of Mythology. Paul Hamlyn, London.

Dubois, P.; Sabatier, C.; and Sabatier, R. (1992) La Grande Encyclopédie des Lutins. Hoëbeke, Paris.

Ivanits, L. J. (1989) Russian Folk Belief. M. E. Sharpe, Inc., Armonk, New York.

MacCulloch, J. A. and Machal, J. (1918) The Mythology of All Races v. III: Celtic and Slavic. Marshall Jones Company, Boston.

Araǵanaqlta’a

Variations: AraGanaqlta’a, AraGanaGalta’a; AraGanaqlate’e, AraGanaGalate’e; Owner of the Snakes, Father of the Snakes

Araganaqltaa

Araǵanaqlta’a is the father or owner of the snakes in Argentinian Toba folklore. It can be found in a range of habitats, but usually likes rivers and deep caves with access to water. In addition to snakes, which are all under its command, it is associated with water, rainbows, and storms.

The araǵanaqlta’a appears as a large, multicolored snake, 10 meters or more in length, resembling a bushmaster or fer-de-lance. It has a red crest, its “sign” (ndage), on top of its head, and a sawlike structure on either side of its body that allows it to move. An araǵanaqlta’a’s tail ends in two hooks which it uses to hold prey. The females are known as araganaqlate’e, the mother of the snakes.

Araǵanaqlta’a are shapeshifters, adjusting to fit their environment, and are also known in the form of four-legged snakes, as humans in elegant business attire, or as rheas with colorful necks. No matter what shape it takes, however, the araǵanaqlta’a always has its characteristic ndage, which identifies it as a powerful mythical creature.

Araǵanaqlta’a are intelligent and enjoy human conversation. These snakes will punish desecrators of nature and persecutors of snakes, but will reward those who they find worthy. After a hunter treated an araǵanaqlta’a with respect and obeisance, the snake promised him that he would have all he would ever need, and taught him how to heal the sick with his words.

References

Wilde, G. and Schamber, P. (2006) Simbolismo, Ritual, y Performance. Paradigma Indicial, Buenos Aires.

Wright, P. G. A semantic analysis of the symbolism of Toba mythical animals. In Willis, R. (Ed.) (1990) Signifying Animals: Human Meaning in the Natural World. Unwin Hyman, London.

Wright, P. G. (2008) Ser-en-el-sueño. Editorial Biblos, Buenos Aires.