Minokawa

Variations: Arimaonga (Maranao); Bannog, Banog, Ban-og (Iloko, Tinguian); Baua, Bawa (Pampangan, Tagalog)

The Minokawa is a Bagobo eclipse creature, comparable to other voracious dragons such as the bakunawa and the markupo. Its equivalents in other Filipino cultures include the Arimaonga of the Maranao, the Ban-og or Bannog of the Iloko and Tinguian, and the Baua of the Hiligaynon, Pampangan and Tagalog.

The minokawa appears as a bird as big as the islands of Negros and Bohol (it is unclear with this refers to combined or separate island masses). It has a beak and talons of steel, sharp swords for feathers, and mirror eyes.

It lives on the eastern horizon, above the clouds and outside the sky. There it lies in wait for the moon every night, and tries to devour her every time she appears. The moon has eight holes in the horizon to enter the sky, and another eight holes to leave the sky; thus she confuses her would-be predator, and manages to avoid being eaten – most of the time, at least. When the minokawa manages to start eating the moon, it causes a lunar eclipse.

The ultimate goal of the minokawa is to swallow the moon, then the sun, and then descend upon Earth to devour all its inhabitants. Fortunately, it can be startled in the same way as normal animals. During an eclipse one must scream and make noise to cause the bird to release its catch. The minokawa stops out of surprise, curiosity, or even appreciation of the music.

Its counterpart, the baua of the Hiligaynon, relents after the promise of ample food. It lives in a cave called calulundan, above the sky and guarded by blue smoke.

The ban-og of the Iloko and Tinguian is big enough to darken the sky in flight, and strong enough to carry off both a hunter and his porcine quarry. It builds its nests on the tops of trees on a distant mountain, and brings even the biggest animals as food for its chicks. However, it can be easily outwitted and tricked into its own demise.

References

Ramos, M. D. (1971) Creatures of Philippine Lower Mythology. University of the Philippines Press, Quezon.

Ramos, M. D. (1973) Filipino Cultural Patterns and Values. Island Publishers, Quezon City.

Ramos, M. D. (1990) Tales of Long Ago in the Philippines. Phoenix Publishing House, Quezon City.

Bès Kotak

Variations: Hantu Kotak (Malay), Box Spirit

Bès Kotak, “box spirit”, is a bès or spirit from the folklore of the Jah Hut people of Malaysia. It is apparently box-like in appearance and is a river spirit that lives in the muddy hollows of rivers.

When a person dives into the river to catch fish, the box spirit presses or sits on that person, causing them to become heavy, sink into the mud, and drown. Two or three days later the body will float to the surface, proof of the fate that awaits any who invade Bès Kotak’s domain.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Bès Pa’

Variations: Hantu Kotak (Malay), Pa’, Spirit Pa’

Bès Pa’, the Spirit Pa’, is a river jellyfish spirit that can expand to any size it wishes. It is usually found living in deep mud. Anyone who steps on a buried pa’ will fall into the mud along with the spirit. To prevent this, one must take a finely crushed mixture of iron rust and broken glass and sprinkle it over the offending muddy area.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Bès Bulan

Variations: Hantu Bulan (Malay), Moon Spirit

Bès Bulan, the Moon Spirit, lives with the moon; during the fruit season, it also lives on top of a small hill. When it calls – oioi… – it is trying to get people to eat, and anyone who hears it should avoid going deep into the jungle lest they be killed and devoured.

At night the moon spirit descends to where the moonlight falls. If a sleeping child awakes and sees the moon shining through the roof, the spirit will cause the child to cry non-stop.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Bès Kěmwar

Variations: Hantu Ulat (Malay), Maggot Spirit, Riverside Maggot Spirit, Tip-of-Leaf Maggot Spirit, Caterpillar Spirit; Bès Kěmwar Jě’la, Hantu Ulat Duri, Thorny Maggot Spirit; Bès Kěmwar Sòk, Hantu Ulat Bulu, Hairy Caterpillar Spirit; Bès Kěmwar Těrbang, Hantu Ulat Terbang, Flying-Maggot Spirit

Bes Kemwar

The Bès Kěmwar, “maggot spirit”, is one of the many bès or disease spirits known to the Jah Hut of Malaysia. A polyvalent spirit, it is depicted as a maggot or caterpillar, with variants distinguished by hair, thorns, wings, and other details. It eats rice, vegetables, and other crops. It is responsible for aches in bones, joints, and muscles. If its caterpillar hair falls into water and that water is drunk, it causes coughing and bleeding in the throat. Maggot spirits are also known to live in rotten tree trunks and feed in them. Anyone who approaches the fallen tree will be bitten in the leg by the spirit, causing redness, swelling, and itching. All the toenails fall off but the swelling will be gone by two or three months.

The riverside maggot spirit lives by the river and appears only during the jungle-fruit season in February. It flies onto the heads of old people and causes all their hair to fall off.

The tip-of-leaf maggot spirit feeds on the leaves of coconut and rice. To prevent this attack on crops, a pawang must bless the plants with a pounded mixture of daun setawa and kunyit mulai, which is burned to ashes and scattered over the plantation.

Bès Kěmwar Jě’la, the thorny-maggot spirit, lives on leaves. It causes restlessness and rheumatism.

Bès Kěmwar Sòk, the hairy caterpillar spirit, lives on the tips of tree branches. Its hair drops into drinking water and causes irritation and swelling in the throat. This affliction can be cured by a poyang while in its early stages, but untreated victims will eventually die as they cannot eat or drink.

Bès Kěmwar Těrbang, the flying-maggot spirit, lives in bushes and eats the leaves of the daun mengkirai tree. Its urine and stool falls on anyone who passes under the tree, causing the victim to become bald and swollen. In the evening it flies onto the roofs of houses and opens them up. Children seeing its eyes reflecting like mirrors will be terrified into crying. Burning daun-kesim keeps this nocturnal nuisance away.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Markupo

Variations: Macupo, Marcupo

Markupo

The Markupo is a serpent known to the Hiligaynon of the Philippines. It lives in the highest mountains of the historical province of Bulgas, between Marapara and Canlaon.

In appearance the markupo is a huge snake with a distinctive red crest. Its long tongue has thornlike hairs. It has sharp tusks and a forked tail.

The markupo sings sonorously on clear days. Its exhaled poison is instantly lethal to the touch. If sprinkled on plants, this poison withers the plant, kills any birds that land on it, and kills any beast touched by its shadow.

References

Ramos, M. D. (1971) Creatures of Philippine Lower Mythology. University of the Philippines Press, Quezon.

Ramos, M. D. (1973) Filipino Cultural Patterns and Values. Island Publishers, Quezon City.

Bès Bulong

Variations: Hantu Bulong (Malay), Bulong, Spirit Bulong

Bes Bulong

Bès Bulong, the spirit Bulong or simply Bulong, is a bès or spirit from the folklore of the Jah Hut people of Malaysia. It walks around by night. If it sees anyone walking about between midnight and 6:00 AM, it will pull out that person’s soul and leave them unconscious.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Bès Jě’la Kòy

Variations: Hantu Kepala Berduri (Malay), Spiky-head Spirit

The Bès Jě’la Kòy, “spiky-head spirit”, is one of many bès or spirits from the folklore of the Jah Hut people of Malaysia. It lives on top of termite hills and knows how long every person will live. If it judges that a person’s lifespan is too short, it will take them into the termite hill to be friends with it forever.

A spiky-head spirit takes one person a year into its termite hill.

References

Werner, R. (1975) Jah-hět of Malaysia, Art and Culture. Penerbit Universiti Malaya, Kuala Lumpur.

Erumía

Erumía is a gigantic jellyfish associated with the Papuan village of Mawata. She lives on the reef Tére-múba-mádja offshore of the Gésovamúba point. The édeéde, or normal jellyfish, are her children, and they are abundant on that reef. She is also the patron of all the fish. Her long, slimy, stringy tentacles can sting a man to death, and any swimmer who sees them stretching in their direction knows to flee for their lives. The tentacles can be seen floating around the mouth of the Bina River.

As the patron ororárora or spirit of Mawata, Erumía is associated with the people of the village, the “Erumía people”. She appears in dreams as a good omen and grants “lucky things” for fishing.

References

Landtman, G. (1917) The Folk-tales of the Kiwai Papuans. Acta Societatis Scientiarium Fennicae, t. XLVII, Helsingfors.

Landtman, G. (1927) The Kiwai Papuans of British New Guinea. MacMillan and Co. Limited, London.

Row

Row 1

Some creatures are too bizarre for even the most credulous and dedicated of cryptozoologists. The Row of Western New Guinea is one of those. Even Bernard Heuvelmans could not accept this particular testimony.

Its name is derived from the sound it makes – rooow, roow, rroow, row! – a hissing roar, or perhaps a roaring hiss. It is a hump-backed, massive reptilian creature forty feet long, with a snaky neck and tail. The small, beaked, turtle-like head is adorned with a bony frill and armed with a sharp beak. The front legs are shorter than the hind legs, allowing the row to rear up. The bulky body is a light brown-yellow, blending in with the reedy swamps it lives in, and is covered with uneven scales like armor plate. Along the back is a line of triangular plates. The long tail is tipped with a single twenty-pound keratinous spike. In cross-section the spike resembles a series of stacked cones; it is 18 inches long and six inches wide at the base. One side of the spike is worn down as it drags along the ground.

The row was encountered by Charles “Cannibal” Miller and his wife Leona during a whirlwind honeymoon in the New Guinean jungle. Considering that they lived with the Kirrirri, an as-yet-undiscovered tribe of cannibals, and were served roasted babies to insure fertility, seeing a living dinosaur was just another event for them.

It started when Leona noticed the Kirrirri using implements that resembled elephants’ tusks. These proved to be row horns, and Charles managed to make it understood that he wanted to see the creature it came from. The Kirrirri obliged, and the journey took a few days to get to the row’s habitat.

They found a row in a swampy, reedy delta between two arid plateaus. The sight of it was enough to paralyze Miller with fear, but not long enough to prevent him from filming. The row’s head rose from the reeds on the end of a long neck, and its tail lashed as it called out. It reared several times, glancing in the direction of the whirring camera, before slithering away and disappearing behind a stand of dwarf eucalyptus.

That was the first and last written account of the fabled row. Miller did not bring back or photograph any of the row’s tail-spikes. The film he took of the row was allegedly shown to select individuals, but there was no word of any saurian creature in it. Even the Kirrirri, to the best of anyone’s knowledge, do not exist. And, taken at face value, the row appears to combine features from sauropods, ceratopsians, and stegosaurs – all unrelated dinosaur lineages.

References

Heuvelmans, B.; Garnett, R. trans. (1958) On the Track of Unknown Animals. Rupert Hart-Davis, London.

Miller, C. (1939) Cannibal Caravan. Lee Furman Inc., New York.